Pope Benedict XVI often uses the phrase "the analogy of the faith". In
normal usage, analogy is inferring information about one thing or idea
and correlating it to another thing or idea to illustrate their
agreement and similarity. It is a central faculty of human cognition and
is used in almost everything we do, taking many different forms and
applications. But how is Pope Benedict using it here?
Christians,
and their Jewish predecessors, have always understood that Truth cannot
contradict itself. To be a full and complete truth, it must completely
agree and have perfect consistency, explaining everything in existence.
As such, Truth must be Divine, making it one aspect of God. Christ
called Himself "the way, the Truth and the life". The faith which
Christians have received from God by His personal revelation and natural
law is the affirmation of this Truth by and in people. By revealing
Himself to us as the answer and explanation of all the universe,
including our very souls, we are called by Him to affirm and agree with
that Truth, to live by it even if it is not always immediately obvious
to us. This assent, acquiescence and obedience to the call of Truth is
faith.
Pope Benedict's use of the term "analogy" does not truly
deviate from its vernacular usage; he simply applies it to Truth as
Christians know and follow it, and as all can see it in nature. Because
the Truth is perfectly consistent and internally agrees with itself, the
revelation which God has given to humanity in Tradition and nature are
analogous to this Truth. Though they're separate from God, they reflect
with perfect accuracy God's own Truth. By examining and experiencing
revelation and life itself, we are able to infer the truths of God,
learning the attributes, properties and philosophical meaning of things.
From this wisdom, we can see its consistency and yet also its blatant
lacking, which through God's personal revelation is shown to be
fulfilled in Christ. This is the analogy of faith.
Another deeply
faithful Catholic, though slightly older than the Pope, who frequently
used the term analogy was the author and philologist J.R.R. Tolkien.
Though in theory a part of the same cognitive process as analogy, Tolkien
deplored the use of allegory in literature. To him, allegory is
creating an entirely separate reality from this one, with no apparent
connection to this one, but having no meaning in and of itself.
Everything in this other, allegorical world simply represents things
here, with only one possible meaning for everything in that other world
and no intrinsic meaning otherwise. Tolkien believed this to limit the
reader's experience, force the author's meaning on the reader, and
betray the mythic literary method of having the other, supernatural,
holy world of Heaven reflect into this world and be glimpsed in it
through what he called "faerie". For Tolkien, mythic literature should
satisfy our longing for Heaven and God's fulfillment of the world and
our deepest spiritual desires, not alienate this world from its Creator.
Tolkien
utilized two different analogical styles in his works: direct analogy
and typology. Rather than having a separate allegorical world, Tolkien
placed his literary world within the Christian cosmology, only from the
perspective of his fictional characters and races. He created a
mythology for his world parallel to the Christian cosmology, only from
the perspective of Elves, described in his book The Silmarillion.
Illuvatar, the Creator, made all the heavenly beings, the world and
everything in it. Soon, one of these heavenly beings, called Valar, became
rebellious and prideful, falling from grace and turning to evil, taking
many Valar and their lessar counterparts, Maiar, with him. They
conflicted with the work of the good beings, who continued actualizing
Illuvatar's will. Eventually, some of the evil and good beings took
physical form in the world to help or hurt Illuvatar's sentient species.
This
is not simply a tale. When asked what God is Illuvatar, Tolkien
replied, the God of Christianity. He frequently called his work a
deeply Catholic endeavor, and said that it inspired everything he did in
it. (See Tolkien's Letters for more information, compiled by Humphrey
Carpenter and edited by Christopher Tolkien.) The Valar as archangels,
Maiar angels; Morgoth, the original fallen Valar, is Satan; and the
other fallen beings are demons, including Sauron. Later, the Istari, who
are Maiar, are sent in physical form to unite and aid humanity against
Sauron. An allegory would differ. Morgoth would not actually be Satan -
he would represent Satan. But in Tolkien's world, there is no
representation. Morgoth is Satan, and Illuvatar is God.
Tolkien
also used typology. In the Bible, as explained by St. Paul, the Old
Testament is full of types - images, characters and events which
prefigure things in the New Testament, especially Christ. Noah's Ark
prefigures Mary, the Church, etc.; the flood prefigures baptism,
Christ's saving blood, etc. Everything means something, often many
things at once. For Tolkien, whose stories are historical in time, many
things in his world are types of Christian realities to come. This is a
bit less obvious than the direct analogy, but no more real. For example,
several characters in The Lord of the Rings are types of Christ. Frodo is a
type of His priestly office; Aragon a type of his royal office; Gandalf a
type of his prophetic office; etc. Lembas bread is a type of the
Eucharist, as well as the Old Testament manna. While everything is a
type of multiple things in Christianity, they are all types of something
from it. Tolkien did this intentionally and considered it an integral
part of mythopoeia, his own literary style.
Tolkien helped guide
me to Catholicism, showing me through analogy the spirituality and Truth
of Catholicism. I consider him one of the greatest and saintliest
Catholics of all time, despite his recognition being primarily as an
author and scholar. I pray for his intercession, and for the possibility
of his Beatification by the Church, as well as for his continued
assistance to converts coming home to God.
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